Brahmastra VFX team: This Oscar-winning company is behind film’s stunning visual effects

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The spectacular and impressive VFX of Brahmastra has got many saying that the film is a visual treat to the eyes and meets the standards of Hollywood.

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The trailer of one of the most anticipated films of 2022, Brahmastra, was dropped yesterday, and since then it has created a lot of buzz among movie buffs.

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Fans have already called the Indian fantasy drama a super hit. And not only this, the spectacular and impressive VFX of Brahmastra has got many saying that the film is a visual treat to the eyes and meets the standards of Hollywood.

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The first part of the trilogy series left many in awe. People are way excited about watching the film because it looks promising in terms of visual effects. Brahmastra, directed by Ayan Mukerji, has raised the bar for Bollywood enthusiasts,

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who have long been disappointed by India’s lack of strong visual content. People’s hopes were high after SS Rajamouli’s Baahubali. Fans were ecstatic to see the trailer for the Ranbir Kapoor and Alia Bhatt starrer, but they’re also curious about the Brahmastra VFX team.

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Brahmastra VFX team VFX of Brahmastra has been done by the same Indian company that did the visuals for the Oscar-winning film Dune. Prime Focus, the Indian company that won an Academy Award for Dune’s visual effects at the 94th Academy Awards,

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is also behind Brahmastra’s stunning visuals. According to the reports, the VFX for Brahmastra was done by a team of 250 individuals over the course of five months. The work was done at a Mumbai office.

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In the past, it has also done visuals (and won awards, including Oscars) for films such as Interstellar, Inception, Tenet, and Avatar among others.

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Before Brahmastra, the company also did the visuals for SS Rajamouli’s Baahubali: The Beginning, Baahubali: The Conclusion, and RRR.

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Brahmastra Part One: Shiva Apart from Ranbir Kapoor and Alia Bhatt, Brahmastra also features Amitabh Bachchan, Nagarjuna, Shah Rukh Khan, and Mouni Roy in pivotal roles.

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